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Doodlebob and the magic pencil part 1
Doodlebob and the magic pencil part 1







doodlebob and the magic pencil part 1

Some people are friendly, some people are rude. It's just a fact that if you're going to be drawing/painitng in public, you'll have to deal with. That guy sure could use some traffic cones. We overheard the boy pleading with his mom, "Please, can we pull out the paints, PLEASE." One of the other members of my group flagged her over, and I had the kid sign his name before his mom dragged him back to her table.Īs we finished our meal, and began to exit. After about 3 minutes the mom finally realized she was missing her other child. So, I propped him on my lap and handed him a brush. Since he had already marked up the bottom of the page, I decided to let him finish. It was a four year old boy who had wandered off from a VERY frazzled mother while she was trying to reprimand one of his siblings.

doodlebob and the magic pencil part 1

Suddenly, I noticed a little hand had grabbed one of my watercolor brushes and was trying to paint the corner of my sketchbook. While waiting for everyone to finish, I started sketching one of the baristas. On the third day of our trip, we were taking a lunch break in a small coffee shop. I had just graduated from college, and one of my teachers invited me and a few friends to go on a painting trip with him to Portsmouth, Maine. Haha, Spectators commenting can be tiresome, but let me share a quick anecdote about a viewer who decided to contribute: See also 10 Tips for Dealing with the Problem of Curious Spectators Here's Spanish painter Antonio Lopez Garcia facing unusual odds in Puerta Del Sol. That would be actionable."Īnother time I had to jettison a good spot because I realized it was the unloading zone for busload after busload of bored tourists. A landowner once shouted from his monster truck: "Makin' money off my tree?" A lawyer who owned a property said, "Don't fall into the water and drown. It eventually wears me out if the comments are too repetitive or inane. These questions unnerve a lot of would-be sketchers, who often feel that they're being judged, or they irritate painters who need to fully concentrate on a difficult step. Drawing or painting is a form of magic that no one can resist.Īnyone who has sketched outside have heard some of these same questions, and probably a lot more (Please tell me in the comments). Like it or not, artists working in public become a form of entertainment that curious spectators feel entitled to watch. If we as artists expect to have the right to look at strangers and draw them in the public sphere, we also have to yield to the right of people around us to watch us paint or draw. Here I am painting at the Platte Clove Community in Elka Park, New York.Īctually these folks were very respectful and asked smart, observant questions. Yesterday's post about sketching strangers on subways led to a lively discussion about how best to manage the encounter between the artist and the unwitting model.

  • Book review: Andrew Wyeth: Looking Out, Looking In.
  • military working with Hollywood to build robo.
  • Norman Rockwell talks about "Family Tree".
  • Answers to your questions about sketching animals.
  • Curious Spectators: Part 1 - The Problem.
  • Your experiences with curious spectators.
  • Top Ten Ways to Deal with Curious Spectators.
  • doodlebob and the magic pencil part 1

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    Doodlebob and the magic pencil part 1